This paper discusses how gender roles are portrayed in children’s literature, the potential impact of these portraits, and how teachers can better use children’s books as a resource in the classroom.
Children are shaped into who they are as adults starting when they are very young. Children adopt certain roles and behaviors as part of their socialization process (Tsao, 2008). They begin to create their own identities and one element that influences this identity is the literature that children read or what is read to them (Allen, Allen, & Sigler, 1993). Children’s literature has been generally defined as anything that children read (Nodelman, 2008), but this is too narrow. In today’s world, it also needs to include works intended for children, young people, and second language learners. Children’s literature is said to provide characters and events that learners can identify with and through which they can evaluate their own actions, beliefs, and emotions (Mendoza & Reese, 2001), and is now being commonly used in ESL/EFL classrooms (Lazar, 1993). Culturally and linguistically diverse learners can be introduced to cultural knowledge and universal themes that are present in the English speaking societies (Department of Education, Newfoundland and Labrador, 2009) because it can give a voice to underrepresented groups and stimulate cross-cultural appreciation (Smallwood, 1998). Thus, children’s literature can have an enormous impact on children and language learners throughout the world, especially in the areas of culture and gender roles.
Gender roles are an important part of culture (Gazda, 2015; Singh, 1998). However, they often differ from culture to culture and it is important for children and students to understand that these differences exist and not to merely believe stereotypes. Trepanier-Street and Romatowski (1999) found that it was possible to influence children’s gender attitudes through children’s literature and related activities. Tsao (2008) notes that picture books also have an influence on gender identities. Books that convey gender bias, or sexism, depictions may have damaging effects on both boys and girls. For example, stereotypical representations of occupations along gender lines may encourage girls to select more traditional female areas of employment. This may lead young women into situations in which they are subordinate. It is hoped that the discussion of such a controversial issue can stimulate teachers to rethink what and how they should teach in the 21st century classroom (Kuo, 2005).
Gender bias is present in the content, language, and illustrations of many children’s books (Brower, 2016; Heinsz, 2013; Kittelberger, 2002; Trepanier-Street & Romatowski, 1999). Gender-roles portrayed in children’s picture books influence their audiences, but the magnitude and generalization of this influence and its impact on behavior are not completely understood (Tsao, 2008). Gender bias may be seen in the extent to which a gender is represented as the main character in children’s books and how that gender is depicted (Singh, 1998; Brower, 2016). Weitzman, Eifler, Hokada, and Ross (1972) were among the first researchers to note a greater emphasis on male characters in children’s literature, although more current studies (i.e. Turner-Bowker, 1996) have discovered similar findings. Ernst (1995) researched the titles of books written for children to determine whether or not boys or girls names were more frequently included in the titles. His findings were that boy’s names appeared about twice as often as girl’s names. He also found that books that had a gender neutral name, or a girl’s name, were actually books about boys.
Singh (1998) noted that not only are girls portrayed less often than boys in children’s books, but that both genders are frequently presented in stereotypical terms. According to Ernst (1995), girls are usually portrayed as sweet, naive, conforming, and dependent. In contrast, male characters are usually aggressive, physically strong, possess a sense of adventure, and are able to function in complete independence. Similarly, Temple (1993) found that boys tend to have roles as fighters, adventurers, and rescuers, while girls tended to have more passive roles as caretakers, mothers, princesses that need rescuing, and characters that support the male figure. Rudman (1995) discusses how female characters in children’s novels may start out as active, aggressive, or headstrong, but soon relinquish their independence, or are tamed, by a male character or situation that occurs in their lives. In general, male characters do not do this. Rudman (1995) and Kramer (2001) also found that the female characters were the “nurturers” and often depicted as mothers, nurses, and kitchen helpers. Turner-Bowker (1996) found that the most commonly used female descriptors in children’s books were beautiful, frightened, and worthless. By comparison, she also found the most commonly used male descriptors were big, horrible, and fierce. Further, she found that females were significantly less frequently found in pictures. Kortenhaus and Demarest (1993) found that males are typically portrayed as competent and achievement-oriented, but females are limited in what they can do, and are less competent in their ability to accomplish things.
More recent studies (e.g. Gazda, 2015; Heinsz, 2013; Lowther, 2014; Ly Kok & Findlay, 2006) report similar results, indicating that perhaps very little has been changed over the years or that change is taking place rather slowly. Tsao (2008) also adds that male dominance can be found in books in which the characters are animals, and that even the types of animals used to represent characters also vary according to gender: mice are most often used to represent female characters and bears are most often used to represent male characters.
Unfortunately, it does seem like very little is changing or changing very slowly. In a recent study conducted by McGrabe, Fairchild, Grauerholz, Pescosolido, and Tope (2011), they came to the following conclusion:
One thing that surprised us is that females’ representations did not consistently improve from 1900 to 2000; in the mid part of the century it was actually more unequal. Books became more male-dominated. (p. 197)
Their study was based upon almost 6,000 books published from 1900 to 2000, and came to the following conclusions:
Teachers can make a difference in how children’s literature is used as a resource in the classroom. Rudman (1995) believes it is important for teachers to first recognize and articulate their own attitudes towards gender. Teachers can more extensively evaluate the goals they have for their students and the goals of their program or school. While some may argue that teachers must create lesson plans that directly combat gender bias, it may be more prudent to discuss specific gender issues as they arise or more indirectly incorporate them into lesson plans. The important condition that should be established in the classroom is the awareness of gender issues by both the teacher and the students. Perhaps the best method of incorporating children’s literature and gender issues into ESL/EFL classrooms is through critical thinking activities. By integrating critical thinking into daily classroom activities, teachers can assist students in understanding how texts are constructed (Bainbridge, Heydon, & Malicky, 2009; Gazda, 2015). Teachers can also use scaffolding activities, like graphic organizers, to guide and assist students through these activities.
Children’s books can be used as catalysts for discussions (Gazda, 2015; McGowan, McGowan & Wheeler, 1994; Lowther, 2014), writing activities, and individual or group projects. It is important for teachers to support children’s group discussions by posing thought-provoking questions and facilitating student exchanges (Singh, 1998). During discussions with children, teachers can validate both feminine and masculine voices, and listen to dissenting individual opinions (Trites, 1997). Lenski (2008), states that it is important to understand that texts offer a unique view of the world. Culturally and linguistically diverse learners could be asked to compare and contrast their part of the world with the world in the book or the place in the world where the story was created. Students could also be asked to compare the physical and psychological characteristics of the male and female characters, which are often stereotyped. There are almost endless possibilities for teachers who have a greater understanding of higher level thinking and critical thinking skills.
Children’s literature is a widely available cultural and learning resource. It has the power to influence a child’s identity by making inferences about gender, and gender is perhaps the most basic perspective through which children see and experience the world and their places in it (Taylor, 2003). Books intended for children, and used by ESL/EFL teachers, reflect societal attitudes and maintain discrimination in societies (Rudman, 1995). Unfortunately, as Short (2001) points out, teaching may resemble a political agenda. Kuo (2005) also states that there are no politically innocent books for students and that a classroom is always laden with different values and perspectives introduced by teachers, students, and the texts. Therefore, teachers can take actions to ensure that the learning environment is less gender bias.
Teachers can select books in which the characters have distinct personalities regardless of their genders. Teachers can try to make a conscious effort to select books for students that reflect fairness and inspire both genders. There are also books that offer realistic and engaging stories that address issues of gender and abilities. Over the past decades, increased female representation in titles, central roles, and pictures appears to indicate that more and more authors of children’s books are aware of and sensitive to women’s changing roles (Tsao, 2008). And, although there is now research suggesting very little changes are taking place (McGrabe, et al., 2011), it’s important for children to be exposed to books that can break stereotypes. However, perhaps the most important thing teachers can do is teach children critical thinking skills. Through the development of critical thinking skills, children can develop their own independent thoughts, a greater understanding of societal issues, and become more engaged and responsible citizens in the future.
Allen, A., Allen, D., & Sigler, G. (1993). Changes in sex role stereotyping in Caldecott Medal Award picture books 1938-1988. Journal of Research in Childhood Education, 7, 67-73.
Bainbridge, J., Heydon, R., & Malicky, G. (2009). Constructing meaning: balancing elementary language arts (4th ed.). Toronto: Nelson Thomson Learning.
Brower, A. (2016). Gender Roles and Gender Stereotypes in Four Newbery Award Winning Books. Unpublished master’s thesis, The University of Southern Mississippi, Hattisburg, MS.
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Ernst, S.B. (1995). Gender issues in books for children and young adults. In S. Lehr (Ed.), Battling dragons: Issues and controversy in children’s literature (pp. 66-78). Portsmouth, NH: Heinemann.
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Heinsz, J. (2013). Contemporary gender roles in children’s literature. Norman Rockwell Museum. Retrieved on June 1st, 2018 from https://www.nrm.org/2013/04/contemporary-gender-roles-in-childrens-literature-by-joshua-heinsz
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Kuo, J. (2005). Teaching ESL/EFL students to recognize gender bias in children’s literature. The Internet TESL Journal, Vol. XI, No. 11. Retrieved July 11, 2011, from http://iteslj.org/Articles/Kuo-GenderBias.html
Lazar, G. (1993). Literature and Language Teaching: A guide for teachers and trainers. New York, NY: Cambridge University Press.
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Lowther, T. (2014). Children’s books still promote gender stereotypes. The New Republic. Retrieved on June 1st, 2018 from https://newrepublic.com/article/116943/childrens-books-still-promote-gender-stereotypes
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Short, K.G. (2001). Why Do Educators Need a Political Agenda on Gender. In S. Lehr (Ed.), Beauty, Brains, and Brawn: The Construction of Gender in Children’s Literature. Portsmouth, NH: Heinemann.
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In order to find potential tools, scaffolds, and differentiation to be employed by English Language (EL) and content teachers alike, a small qualitative study was conducted that found that English learners (ELs) displayed better reading comprehension and increased memory retention of the chapter events when reading the graphic novel versions of a text in comparison to the traditional book format.
Key words: language learners, ELL, graphic novels, comics, reading, reading comprehension, memory recall
As an English Language teacher, I work with English learners (ELs) not only by helping them with listening, speaking, reading, and writing, but also by providing tools and scaffolds to help them successfully navigate the English language in their mainstream classes. Sadly, ELs can face more challenges in the classroom than their native speaking peers, including, but not limited to, skill transfer from the learner’s first language L1 to the target language (L2); the unique nature of student’s L1 (e.g. is there a different alphabet? Is the language a spoken language only?); interrupted schooling; and the possibility that school is the only place these learners are hearing and using their L2 (Ford, 2005). My personal belief in the power of visuals in the form of comic books and graphic novels led me to study graphic novels as a potential tool for EL reading success in elementary education.
The purpose of my study was to explore how the use of graphic novels in an EL classroom could increase reading comprehension and memory recall. I sought to find answers to the following questions:
The purpose of this article is to provide a brief summary of the major findings that emerged from my research. The article will begin by discussing the usefulness of visual aids for reading comprehension and memory recall. Next, it will introduce graphic novels, and their potential for serving as visual aids in the classroom. Finally, my study and findings, followed by their implications, will be discussed.
There is a lot of confusion regarding the true difference between the terms comic and graphic novel. Will Eisner originally defined comics as simply “sequential art” (1985). Scott McCloud later defined them as a “collection of pictures and words arranged side-by-side in a sequential story format” (McCloud, 1993). The term graphic novel maintains this sequential art aspect, but differs in that instead of being serialized, they are often published as original trade paperbacks that tell a single story from beginning to end, more similar to a traditional novel (Arnold, 2003). A casual search will show there are graphic novels for just about every subject or literary genre with equally thought-provoking themes as those present in traditional novels, but with the added scaffold of visuals. It is this visual scaffold aspect that allows both graphic novels and comics the potential to provide support for struggling readers while still working through the same difficult themes and complicated stories that exist in the text-only format. It is when we look through the lens of the visual scaffold that is provided by both comic books and graphic novels in education that the difference between them becomes negligible. To avoid confusion in this article, the term “graphic novel” will be used as a catchall to describe both comic books and graphic novels, as it is their shared visual scaffolding aspect I am focusing on, and not whether they are serialized (comics) or whole works (graphic novels). The graphic novel used in this study was published as a whole work in sequential story format.
Visuals have long been hailed as useful aids in assisting students in their reading comprehension (e.g., Levie & Lentz, 1982; Levin, Anglin, & Carney, 1987). Luckily for EL educators, visuals are ever-present within the context of graphic novels, which may aid reading comprehension. Any student confusion that could arise regarding the comprehension of the plot, characters, or setting may have a more concrete representation in the accompanying visual than appears in the graphic novel format of the story. A graphic novel’s ability to display the relationship between words and visual images simultaneously allows readers an easier path to imagine what they just read, a fundamental key to facilitating comprehension (Eisner, 1998). In fact, this path seems to naturally assist students with the use of a key reading strategy, visualization, or forming mental pictures in students’ minds, which helps students to “…find they are living the story as they read” and therefore increase their enjoyment and understanding (Roe & Smith, 2005, p. 333).
Additional research suggests that pictures presented alongside text facilitates comprehension by reducing the cognitive load of dense text or more sophisticated concepts (Burke, 2012; Mayer 1994, 2014; Metros & Woolsey 2006; Schnotz, 2002). A recent study of native English-speaking university students, for example, found that incorporating visuals into a lesson on how blood circulates through the heart resulted in a better understanding than text alone (Butcher, 2006). In addition, the usefulness of visuals has been found effective for adult ESL learners (Liu, 2004). The results of Liu’s study showed that low-level adult EL students given a high-level text with added visuals scored significantly higher on a series of comprehension recall protocols immediately administered than those given the high-level text only.
Paivio’s (1991) dual coding theory, which discusses the process our brain undergoes during reading, sheds light on how graphic novels may facilitate reading comprehension. Paivio argues that all learners learn to read or write using two separate language systems of cognition. The first is the verbal system, which is the information garnered from words, sequence, speech, and writing. The second system is the imagery system, consisting of non-verbal information, such as images and visualizations. Paivio (1991) explains that students are making connections between these two different systems simultaneously while they read, and it is these connections between the two different systems that allow for better understanding and recall. Essentially, information is stored both verbally and non-verbally, as words and images, and in this format one can recall information to a greater degree. Graphic novels, it seems, have a unique format that includes both of the language systems of cognition in one reading experience; they are student reading materials with visual scaffolds already designed into them.
Paivio (1991) further argues that the visual portion of the system of the dual coding is even more important when it comes to memory recall. An early study that seems to support the connection between visuals and memory recall was conducted by Omaggio (1979), which measured comprehension among Native English speakers reading several different texts with and without visuals in both the L1 of English and the L2 of French. He found that while the visuals had no effect on reading comprehension in the English L1, they did have a positive effect on reading comprehension and recall in the French L2 reading (Omaggio, 1979).
In another study, two different groups of participants were given readings, with one group using a text only excerpt, and a second group using a text with added visuals (Waddill & McDaniel, 1992). Upon completion of the reading of the excerpts, participants were simply asked to write a much as they could recall on the subject. It was found that those from the group with the added visual support were able to recall a greater amount of information than those without (Waddill & McDaniel, 1992).
It is worth noting that visuals are not a panacea for comprehension; a study conducted by Daniel Bruski (2011) found that a group of beginning-level adult language learners, some first language non-literate and some first language literate, produced non-universal understandings and inaccurate descriptions of what was occurring in the visual when presented with images of speech bubbles, arrows, and symbolic signs. Context and cultural background were shown to play a major role in differing interpretations of images, noting that misinterpretations of meaning that may occur with visuals in the same manner it may with text.
Visuals can sometimes better illustrate a concept. This is the reason that manuals contain images alongside written instruction, and why companies use logos to brand themselves: visuals are not affected as easily by language barriers (McCloud, 1993). Visuals are more concrete. So, when applying this to a classroom, the simplified visual nature of comic books may provide a scaffold by allowing the reader to focus their attention on important text aspects as well as eliminate potentially confusing aspects.
This qualitative classroom study used retells and memory recall assessments to determine how graphic novels versus traditional novels might support comprehension and memory of texts.
The school setting of this qualitative action research study was a grade five through eight environmental, science, technology, engineering and math (E-STEM) public middle school. The fifth grade class in which this research was conducted consisted of seven students, five boys and two girls, all of whom participated in the study. All participants had been in the United States for a minimum of two years, were labeled as Limited English Proficient (LEP), and had received regular prior formal schooling. Their language levels ranged from 2.8-3.9 according to the World Class Instructional Design and Assessment (WIDA) scale used for assessing English Language levels in Minnesotan K-12 schools, indicating they were low-intermediate students, and received sheltered English instruction from an English as a Second Language (ESL) instructor, also the author of this study. The sheltered classes provide language support while simultaneously meeting mainstream content standards.
I used student-produced written retells to show comprehension of the text, and multiple choice questions to measure recall.
The process of retelling requires students to consider the information they read, and summarize what they understand; it also includes higher order thinking skills including the processing of schema, the ability to process and filter textual information, the ability to sequence events, the ability to determine the relative importance of events, the ability to later recall this important information, the ability to organize this information in an understandable and meaningful way, and the ability to draw conclusions about the relationships that may exist within ideas in the text itself (Fisher & Frey, 2011; Klingner, 2004; Shaw, 2005). With the variety of required skills needed to produce a retell, it has been argued that retells are a powerful way to measure reading comprehension or to check for understanding (Shaw, 2005).
To begin the process, I modeled how to complete the graphic organizers to help the students capture the essential information needed for a retell.
After modeling, the graphic organizers were practiced with a traditional novel. A chapter of the young adult, science-fiction novel City of Ember was read aloud to the whole group at the end of each class period for the first eight chapters. This text was chosen not only because the lexile levels for both the traditional and graphic novel fell within the reading level range of the participants, but also because the graphic novel uses a great deal of the same text and quotations from the traditional novel. Using these beginning chapters as practice for the graphic organizers and the written retells, gradual release was used through first modeling the act of completing the organizer, and then slowly shifting this responsibility onto the participants (Pearson & Gallagher, 1983).
After this practice with the traditional novel, the graphic organizers were practiced with a graphic novel of the same City of Ember text. This was also done at the end of each period for three consecutive days. The same graphic organizers were used to help participants complete written retells for each of these graphic novel chapters daily. This gradual release assured participants could complete the organizers and retells independently for the study.
Upon reaching Chapter 11, participant retells began to be used for data collection in the study. Participants began the process of using the end of the class period to independently read, fill out their graphic organizers, and compose their written retells from these organizers. They created a new retell for each chapter read on each consecutive day. The use of the traditional novel and the graphic novel alternated for the purpose of comparison. Only the data collected from the independently-produced student written retells for Chapters 11-18 were formally scored, and their results were used as data in this study.
In addition to completing written retells of chapter events, participants were given a short three to four multiple-choice question quiz after a 24-hour period to gauge recall from the previous day’s chapter. The assessment contained information specific to the last chapter read, and each assessment was similar in format, regardless of the text medium (traditional or graphic novel) that it was used to assess.
Retells were collected during the final 15 minutes of each class period for approximately six school weeks.
The retell data was analyzed using participants’ final written retells. These retells were assessed using a six-category instructor-created retell-scoring rubric (Table 1) focused solely on student delivery of information related to their comprehension of the story holistically. The rubric emphasized construction of meaning rather than anything sentential or sub-sentential such as construction of clauses, spelling, or punctuation, thereby eliminating possible loss of points due to language transfer errors. The rubric categories were used to assess retell of the chapter’s key events, sequence of events, problem, resolution, characters and setting. Scores ranged from zero to three for each category, resulting in 18 points total. Scores resulting from a traditional chapter and from a graphic novel chapter were compared.
Table 1. Recall Rubric
|Idea Unit||Verbal Prompts Used||0||1||2||3|
|Key idea of chapter’s event||What important events took place during this chapter?||Wholly inaccurate or not included||Does not recall many key ideas or inaccurately expresses events||Accurately expresses some key, although incomplete, events.||Accurately expresses all key events in the chapter to completeness.|
|Sequence of events||How does this chapter begin? What was the order of the events?||Wholly inaccurate or not included||States some events in order, but with some inaccuracies.||States many events in order, but with some inaccuracies||Accurately states events in correct order.|
|Problem||What was one important problem in this chapter?||Wholly inaccurate or not included||Includes chapter non-specific, vague, or unrelated problem.||Chapter’s problem description is accurate but vague or with some inaccuracies.||Accurately states chapter’s problem.|
|Resolution||How does the chapter end? Is a problem solved?||Wholly inaccurate or not included||States chapter non-specific or unrelated resolution.||Chapter’s resolution description is accurate but vague or with some inaccuracies.||Accurately states chapter’s resolution.|
|Characters||Who were the important or main characters in this chapter?||Wholly inaccurate or not included||States chapter non-specific or unrelated character descriptions or includes unimportant characters.||Chapter’s character description is accurate but vague or with some inaccuracies.||Accurately states chapter’s main characters.|
|Setting||Where and when does this chapter take place?||Wholly inaccurate or not included||States chapter non-specific or unrelated chapter setting.||Chapter’s setting is accurate but vague or with some inaccuracies.||Accurately states chapter’s setting.|
The data from the multiple choice memory recall assessments was assessed using the standard percentage basis. For example, three of four correct was assessed at 75%. The scores were totaled and given a percentage point for ease of scoring, as well as averaged to create a student personal average on the four traditional novel chapters as well as student personal average on the graphic novel chapters.
The results of this study found that when students read the graphic novel chapter, they displayed increased scores in both reading comprehension and in memory recall assessments.
When the total rubric score of the four written retells for the traditional novel were averaged, and compared to the average of the total scores of the four written retells for the graphic novel, all seven student participants’ averages increased with the use of the graphic novel version in place of the traditional novel. The averaged increase in score when using the graphic novel was an increase of 2.64 points of the rubric’s 18 total points. The maximum increase in average score was 4.25 and minimum increase in average score was an increase of .5. Figure 1 displays shows this comparison.
The average percentage score on memory recall assessments increased when students had read graphic novel chapters with seven of the seven participants, with an average higher score of 16.8% on the chapters read in the graphic novel format. Figure 2 shows this comparison.
The largest percentage score increase for a student participant was a 33.9% increase from 46.1% on the traditional novel memory recall assessment, to 80% on the graphic novel memory recall assessment.
Research on visuals (Butcher, 2006; Omaggio, 1979; Waddill & McDaniel, 1992) as well as this study suggest the importance of visuals for language learners as they progress towards the language levels of their native speaking peers. ELs in this study likewise seemed to be able to better reproduce the main plot elements of a story while retaining comprehension after reading graphic novels. Furthermore, this study suggests ELs will even remember the previous day’s reading better when using the graphic novel format, allowing them to better maintain their understanding as they progress throughout the story. These results seem to produce similar findings to those attained by Lui, Butcher, Waddill and McDaniel, and Omaggio: participants consistently show increased comprehension and can recall texts more accurately when they are provided scaffolding in the form of visuals.
While these findings apply only to the limited number of participants in this study, their promise warrants additional research of the topic on a larger scale and with ELs of other age groups and language levels. Additionally, one could explore the possible benefits of graphic novels with other student populations who benefit from reading scaffolding, including those with Individual Education Plans (IEPs) and learning disabilities.
All classroom teachers could begin integrating the use of comic books and graphic novels into the classroom by identifying the goal for the lesson, and determining if graphic novels could be used as alternate or companion readers. If the goal is to have students identify character development, for example, or to identify the conflict and other plot elements of a story, it may be of no consequence whether students do so by reading the traditional versus the graphic version of the novel.
Another implementation for graphic novels is simply to use them in the same manner as leveled readers by creating reading groups based upon needs. An EL classroom can contain very diverse needs when it comes to text studies, which at one point had me splitting our class into three different groups including one group reading a Pearson ESL Leveled Frankenstein reader, a small group reading a graphic novel adaptation of Frankenstein, and a final small group reading the traditional novel. The group reading the graphic novel adaptation was actually reading a more difficult text than the leveled reader group, but they had the built-in scaffolds of pictures to give them the visual support they still needed to access the higher level text. All of the groups were then able to come back together and participate in the same discussions, activities, and check-ins despite the vast differences in their reading abilities.
Graphic novels could be used as an initial at-level replacement for the traditional novel version for below-level reading groups, they could be pre-taught or used for front-loading before attempting a traditional text that may be above a reader’s level with visual scaffolds removed, or they could be used as a supplement to the traditional novel.
The graphic format can be used for student-produced work as well, as it is a perfect format for presenting concepts like sequencing, dialogue, predicting, and summarizing. If students are struggling to write a good summary, educators could allow students to create a visual summary of the events of a chapter using blank comic panels that students fill in. Students will still be required to show they understand the sequence of events through the use of sequential panels, and can show whether they grasped the setting and important chapter events through their visual summary. If teachers want to incorporate writing into the summary, they may require students to produce dialogue by requiring a set amount of speech balloons, or scaffold their writing by adding cloze passages and sentence starters in the panels for students to complete.
ELs are often required to perform difficult tasks that require native-like levels of comprehension. Content teachers need a varied set of tools and strategies to help ELs develop their language levels and experience greater success. This initial, albeit limited, study suggests that the use of graphic novels as one of these tools can help language learners improve achievement in reading comprehension and memory retention. As ELs use these tools to reach the level of reading comprehension of their native speaking peers, they may be more willing and confident to retell, participate in class readings, and take risks in their learning. While the use of visuals has always been a hallmark of good language teaching, this study shines a light on the potential of the often-overlooked format of graphic novels for increasing reading comprehension and memory retention among ELs.
If you are interested in learning more about the medium of graphic novels, I highly recommend Scott McCloud’s work on the topic, “Understanding Comics.” The text delves into the graphic novel as an art form, and serves to really remove the stigma that comic books are just for children. http://scottmccloud.com/
The links below can provide with you additional information regarding using graphic novels in your classroom, including additional resources and lessons for teachers, comic book and graphic novel listings, and more.
The American Library Association’s yearly graphic novel reading list: http://www.ala.org/alsc/publications-resources/book-lists/graphicnovels2018
Reading with pictures includes research, content, and best practices for integrating comics into curriculum: http://www.readingwithpictures.org/
Getgraphic.org gives up-to-date news in the graphic novel world as well as ideas for how to use graphic novels as a tool for literacy: https://www.buffalolib.org/content/get-graphic
The Comic Book Legal Defense Fund has library and educator tools for using graphic novels: http://cbldf.org/using-graphic-novels/
Readingrockets has classroom ideas and booklists for graphic novels in the classroom: http://www.readingrockets.org/article/graphic-novels-kids-classroom-ideas-booklists-and-more
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Burke, B.P. (2012). Using comic books and graphic novels to improve and facilitate community college students’ literacy development. Retrieved from ProQuest Dissertations and Theses Global. (UMI No. 3546922)
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Exposure to potentially traumatic events, which can have a significant impact on brain mechanisms for language learning, is high in adult ELL classrooms. Strategies targeting attention and memory networks presented here may mitigate those effects.
Key words: trauma, adult English language learners, language acquisition, cognitive function, attention, mindfulness
Discussions of traumatic exposure and their impacts on the classroom have become increasingly common in education circles in recent years, befitting its serious impact on subsequent quality of life and its prevalence in society. In the United States, up to 90% of adults report having experienced at least one potentially traumatic event (PTE) in their lifetime (Kessler, Sonnega, Bromet, Hughes, & Nelson, 1995; Kilpatrick et al, 2013). Furthermore, the majority of people who experience one PTE tend to experience additional PTEs (Kessler et al, 1995; Kilpatrick et al, 2013). An international study representing individuals from 24 countries found that over 70% of respondents experienced at least one PTE, and 30.5% had experienced four or more (Benjet et al, 2015). PTEs include childhood neglect; sexual, physical or emotional abuse; natural disasters; interpersonal violence; and generational or historical traumas.
There is considerable individual variability in response to PTEs. Although most people experience relatively positive outcomes with relatively limited dysfunction, such as resilience and recovery, others experience negative outcomes and dysfunction, such as diagnosable Posttraumatic Stress Disorder (PTSD) (Bonanno, 2004; Norris, Tracy, & Galea, 2009). Certain types of trauma, particularly sexual violence, are more likely to lead to negative quality of life, including diagnosable PTSD (Kessler et al, 1995).
The current international prevalence rate of PTSD is roughly 1.1%; however, prevalence rates vary widely in different populations (Yehuda et al, 2015). For instance, a systematic review of studies estimated 10% of refugees have PTSD (Fazel, Wheeler, & Danesh, 2005). Notably, 62% of a particular population of Cambodian refugees (586 surveyed) in California were found to have PTSD (Marshall, Schell, Elliott, Berthold, & Chun, 2005). Determining true prevalence can be complicated by underreporting of trauma or limited English language skills and lack of appropriate interpreters (Kirmayer et al, 2011; Yehuda et al, 2015).
In the adult ESL classroom, it can be assumed that many or all students have experienced at least one PTE in their lifetime either prior to arrival in a new country, post arrival, or both (Hollifield, Warner, Krakow, & Westermeyer, 2018). Most will have survived more. Being in the classroom shows at least some level of resilience. This, however, does not indicate that trauma has not impacted students’ day to day functionality and language acquisition (Emdad, Söndergaard, & Theorell, 2005; Söndergaard & Theorell, 2004). In this paper, I explore how exposure to trauma can impact the brain, affecting classroom behaviors and performance, particularly language acquisition ability, and review some strategies to mitigate the effects of trauma and enhance language learning in adult ESL students.
Few studies have explored the impact of PTSD and traumatic exposure on language learning. Results from two studies with a refugee population acquiring Swedish as a second language after resettlement provide initial evidence for impairment. Söndergaard and Theorell (2004) found as PTSD symptom severity increases, there is a corresponding decrease in the rate of language acquisition in their adult refugee students. Further, trauma duration and severity has been shown to correspond with learning difficulties (Emdad et al, 2005). Though few to no such studies have been conducted with adult ESL students who have experienced trauma, similar patterns of impairment are likely. These learning patterns may be a result of the effect traumatic stress can have on two key factors for second language acquisition, namely attention and memory.
As teachers are well aware, students’ concentration in the classroom is critical for learning. The Noticing Hypothesis describes how this process works for language acquisition (Schmidt, 1990, 2010). Students do not automatically acquire input; rather, they must first notice it, or consciously register it, in order for it to be acquired. This requires capacity to focus and sustain attention. Unfortunately, traumatic stress can have a negative impact on brain networks that monitor and enforce attention control, such as the salience network, which allows humans to determine what stimuli to focus on; the default mode network, which helps with self-regulation; and the central executive network, which is critical for controlling thoughts, emotions and behaviors (Yehuda et al, 2015).
Memory is also required for learning to guide the storage of new material and its subsequent retrieval including both declarative and procedural forms of memory, which related to facts and events, and how to do tasks, respectively (Morgan-Short, Faretta-Stutenberg, Brill-Schuetz, Carpenter, & Wong, 2014). The negative impact from traumatic stress can limit language acquisition, particularly in terms of storing and retrieving new information, including vocabulary and grammar (Perry, 2006). When storing and retrieving information are negatively affected, students may have a difficult time remembering the day’s lessons and subsequently applying what was learned.
The impact of traumatic stress and PTSD extends beyond learning capabilities in most studied populations. Biological evidence demonstrates that individuals with PTSD can display a dynamic shifting between hyperarousal, or a heightened arousal response tending towards anxiety and hypoarousal, or a heighted settling down response. Hyperarousal may result in displays of fear, anger, and guilt, while hypoarousal may result in lack of portrayed emotion (flat affect) or numbing (Yehuda et al, 2015). These arousal patterns are seen in relation to the autonomic nervous system, which allows the body to respond to potential threats and relax after threat is gone (Williamson, Porges, Lamb, & Porges, 2014).
Instead of staying within the limits of a healthy autonomic nervous system or within patterns of healthy arousal and settle, individuals exposed to trauma may be well outside normal range, with an increased sympathetic system response, leading to high anxiety, panic, exaggerated startle reflexes, restlessness, digestive problems, sleeplessness, and rage. Conversely, individuals exposed to trauma can also get stuck below the normal healthy range of the autonomic nervous system, with an increased parasympathetic response, resulting in depression, exhaustion, disconnection, and inability to express emotions (Sherin & Nemeroff, 2011; Williamson et al, 2014; Yehuda et al, 2015).
There is little research on how these biological patterns impact behaviors within the adult classroom. Perry (2006) synthesizes the biological impacts of shifting between hyperarousal and hypoarousal with behaviors commonly seen in the adult classroom. He explains that when hyperaroused, students might jump at noises or seem unable to focus on the teacher. There could be outbursts of crying or laughter at inappropriate times. Students may seem emotionless, or overly emotional when hypoaroused. They may refuse to work with other students or teachers. To complicate the picture, these behaviors may change from day to day (Perry, 2006). It’s important to recognize that these behaviors may be protective strategies stemming from fight-or-flight system activation (Perry, 2006). When behaviors become disruptive to student learning, however, there are some interventions that may be helpful.
Evidence-based research on interventions to improve learning and emotional regulation in adult ESL classrooms after trauma is limited to date. Fortunately, there has been substantive work on improving cognition and learning following Traumatic Brain Injury (TBI), particularly with memory (Kennedy & Coelho, 2005) and attention (Mckay, Moore, & Sohlberg et al, 2003). Below I present several strategies from that field that could benefit adult ESL learners whose attentional networks are impacted by trauma. Additionally, to mitigate the emotional-behavioral impacts, I present some simple mindfulness exercises, which have shown strong positive outcomes in K-12 classrooms with and without non-native speakers of English in emotional regulation (Napoli, Krech, & Holley, 2005; Zenner, Herrnleben-Kurz, & Walach, 2014), and in connection with psychological therapy with traumatized adult refugee and immigrant populations (Hinton, Pich, Hofmann, & Otto, 2013).
The goal of attention tasks is to regain control over the attentional brain networks that want to respond too quickly, or may not be willing to respond when asked. These tasks have shown transferability of improved attention in more natural settings, such as classroom instruction, which may result in improved language acquisition by training attentional focus to return to healthy levels (Mckay, Moore, Sohlberg, et al, 2003).
Following trauma, students may have difficulties encoding new material from working memory to long term storage. In terms of improving memory, all of these systems may be functioning correctly, albeit slowly, due to the damaged networks (Morgan-Short et al, 2014; Perry, 2006). The strategies below have shown to help patients with TBI in storing information more effectively and maintaining it for future use (Kennedy & Coelho, 2005).
Techniques presented below (Hinton et al, 2013) could benefit students, by promoting emotional balance and healthy release of potential stress by focusing on awareness of the present (Kabat-Zinn, 2005). At times, classroom material, interpersonal experiences at school, or other events may result in a flashback of distressing events or memories, or a hyperaroused state. The mindfulness strategies presented below may help to settle the autonomic nervous system to a healthier level. These specific strategies have been carefully selected to avoid the risk of exacerbating this distress response by avoiding imagery techniques that may intensify the response to a triggering event (Creswell, 2017).
Overall, it is important to note that though many students in the adult ESL classroom will have survived significant trauma, they have already demonstrated high levels of resilience by resettling, entering school, seeking (and finding) jobs, and caring for their family and friends. Many have developed successful strategies for their lives that are culturally encouraged and helpful. Some have not had that opportunity.
The strategies presented here could help mitigate the effects of trauma on learning, and may enhance learning for less traumatized students as well by increasing attentional, memory, and emotional resources. However, these strategies are not presented as a substitute for treatment from qualified mental health professionals. Finally, the mindfulness techniques presented here may also be useful for teachers of trauma-exposed learners to protect against the risk of secondary traumatic stress, compassion fatigue, and professional burnout, which can occur when continually being exposed to and absorbing students’ distress (Newell & MacNeil, 2010).
Trauma affects the learning brain. Attention, memory, the autonomic nervous system, and other parts of the body all show signs of this type of suffering. Generally, the result in the adult ESL classroom is slower, lower-level language acquisition. Students may get stuck, frustrated, or vanish. Though best practices are still being identified, teacher-led tasks aimed at increasing attention, enhancing memory and developing strategies to improve emotional regulation may assist in aiding students who are experiencing difficulties in the classroom due to traumatic exposure.
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This article makes the case for incorporating off-campus learning experiences into international students’ second language instruction at the college level.
Key words: international students, college, community, authentic language
Walmart. Sometimes the mall, but mostly Walmart. That is where I most often run into the international students who enroll in my college writing classes. One time, I picked up two grocery-laden students at the Walmart bus stop and gave them a lift to their apartment. Another time, I chatted with a student working at Walmart as he manned the self-checkout aisles. Once I even ran into a student at 5:00 a.m. while I was picking up a pre-dawn box of doughnuts.
I recognize the appeal of Walmart for international students. The store is easy to access by public transportation, stays open 24 hours a day, and offers the lowest prices in town. Yet, I worry about these Walmart trips. Specifically, I am concerned that they may constitute students’ singular contact with my admittedly small but nonetheless interesting college town.
For a variety of reasons, international students may not venture far into the community. Many spend the majority of their time on or near the college campus. This is a loss for both the community and the students. Communities miss out on the diversity that the university’s international population can provide; conversely, students are unable to secure rich opportunities for learning that are practically at their doorsteps. Language teachers can help remedy this situation. Recognizing the benefits of off-campus interactions for our students, we can design learning experiences that engage students with the community, exploring new ways to promote students’ language development.
In this article, I make a case for incorporating off-campus activities into second language instruction at the college level. I begin by describing the benefits of facilitating off-campus learning experiences for international students. I then detail one off-campus excursion that I led, funded by a MinneTESOL mini-grant. I conclude by highlighting some areas to consider when designing an off-campus experience for students. My aim is to encourage other English language teachers to consider how they might utilize their community to support student learning.
Getting outside the classroom and into the community takes some work. Thus, teachers need to understand from the outset the potential gains from the investment. Benefits of off-campus learning experiences include support for acculturation, opportunities for authentic language use, and avenues for aligning teaching with how the brain learns.
The term “acculturation” has been used to describe the process of “cultural and psychological change” that happens to people and groups when cultures interact (Berry, 2005). This change is bi-directional, impacting the various cultures and people involved in an intercultural exchange. Such change is not always easy. Individuals may experience “acculturative stress” during acculturation, particularly when faced with “problems resulting from intercultural contact that cannot be dealt with easily or quickly” (Berry, 2006, p. 294). Acculturation and acculturative stress are often cited in discussions of immigrant and refugee experiences; more recently, these terms have increasingly been applied to the experiences of international students as well (Akhtar, 2015; Jung et al., 2007; Kashima & Loh, 2006; Pan et. al., 2008; Ra & Trusty, 2007; Smith & Khawaja, 2011).
Acculturative stress can affect international students due to the range of challenges they face at the university, including language barriers, cultural differences, incidents of racism, new academic demands, and feelings of loneliness. When confronted with these challenges, international students may experience physical symptoms such as “fatigue, headaches, increases in blood pressure, and gastrointestinal problems” as well as psychological problems like “isolation, helplessness, hopelessness, sadness, feelings of loss, anger, disappointment, and a sense of inferiority” (Mori as cited in Smith & Khawaja, 2011, p. 706).
Alleviating acculturative stress is an important task for universities that recruit and enroll international students. This task is shared by intensive English program staff and faculty as well as the university’s counseling services, among others. Robust networks of social support are key; having strong, supportive relationships at home and in the host country has repeatedly been shown to lift some of the burden associated with intercultural adjustment.
Glass and Westmont (2014) have argued that increasing international students’ sense of belonging on college campuses facilitates a healthy acculturation process as well. They use the term “belongingness” to refer to students’ sense of rootedness in the campus community. Their research suggests that a sense of belongingness “exert[s] a direct positive effect on academic success and cross-cultural interaction” (p. 115). Thus, promoting belongingness appears to be a worthy goal for those of us who work with international students.
Beyond helping students feel that they belong on campus, we might also try to help them feel at home in the wider community. Bonds to the community may have ameliorative effects of their own; indeed, Burke and Mahmood (2018) have identified a number of characteristics correlated with decreased acculturative stress among international students, one of them being community involvement. Additionally, feeling grounded in the community may increase students’ identification with the college campus and vice versa. This hypothesis is supported by Glass and Westmont’s (2014) finding that participation in community service is associated with international students’ sense of belonging on their college campus. These studies suggest that community activity positively affects acculturation and should motivate us to consider how to bring learning into the community.
Getting students into the community can also present students with authentic language experiences. Contemporary approaches to second language teaching emphasize the benefit of using authentic texts and tasks in the language learning classroom. Language teachers reason that students will be better prepared and more motivated if their instruction is comprised of authentic materials and situations. While there is some debate about what constitutes “authentic” materials, whether they can be successfully adapted, and how much they genuinely motivate students, authenticity remains a goal for language teachers. (See Gilmore, 2007 for a comprehensive review of research on authenticity in second-language instruction.) The hope is that authentic input better approximates and therefore better equips students for future communicative interactions.
Out-of-class experiences present authentic learning environments in which students can experience everyday language in action. Listening, speaking, reading, and writing tasks can be designed that involve the people, texts, and situations found on-site, enabling students to take advantage of the resources for language learning within the community. Hyland (2003) notes that this can be a productive instructional approach, observing that “collecting input data from trips to museums, cinemas, or relevant sites” allows teachers to “[use] the target discourse community or wider community as a resource for learning” (p. 117). Connecting students with these resources can launch them into the intellectual and socio-emotional work of real-world language use.
Finally, community-based experiences can allow teachers to use strategies that account for how the brain learns. In his excellent guide to using research on the brain to improve teaching, Sousa (2011) describes factors that impact students’ interest in learning and retention of knowledge. Two factors he describes are particularly prominent in out-of-class experiences: novelty and multisensory input. According to Sousa, the brain is a novelty-seeking machine, constantly on the lookout for new stimuli to capture its attention. To be responsive to this characteristic, Sousa suggests, teachers should use variety in their teaching. Changing the learning site is one variation that can spark the brain’s attention. Getting students out of the classroom and into novel learning environments is a smart way to take advantage of the brain’s endless quest for something new.
Another brain-centric strategy is to utilize multisensory input in one’s teaching. Sousa argues that students today are “acclimated to a multisensory environment” (p. 38) and, therefore, benefit from instruction that taps into multiple senses. He argues that students’ learning is more robust when it requires “sensory-rich integration” of verbal and visual information and includes “kinesthetic and tactile” components (pp. 100-101). Out-of-class activities can provide this multisensory input. Through taking advantage of the range of stimuli in off-campus environments, language teachers can capture learner interest and promote more resilient learning.
In spring semester 2018, I sought to take advantage of the benefits of out-of-class learning through venturing outside the classroom with my international students. I was teaching Integrated Reading and Writing, an advanced-level course for international students enrolled in my university’s Intensive English Program. I wanted to enrich the course by providing my class with novelty and variety; an engaging, authentic language experience; and contact with the broader community. Thus, I began brainstorming some possible out-of-class sites that we would visit in conjunction with a unit from the course. I settled on two locally-owned businesses situated in downtown Mankato. WYSIWYG (“What You See is What You Get”) Juice Company had opened its doors in 2016; a year later, Bluebird Cakery, a gourmet cupcake and cake store had followed. Their proximity to each other, accessible location, and local roots made them appealing options. I reached out to the store owners to gauge their interest in hosting modestly-compensated on-site lectures for my international students. The co-owner of WYSIWYG and manager of Bluebird both indicated that they were willing to do so. And with that, the community collaboration began.
As I planned our visit prior to the semester, I discovered a food and globalization unit in our course textbook. The potential connection to our class field trip was a good one. I realized that WYSIWYG Juice Company and Bluebird Cakery both participated in distinct food trends occurring in the United States. These trends would make interesting fodder for class discussion and could be part of a broader discussion of culinary developments around the world. Food trends, then, would be the focus of the lectures.
To this end, WYSIWYG Juice Company and Bluebird Cakery were given the following questions to prepare for their presentations:
Meanwhile, in the classroom, we discussed other international food trends. We watched a video clip on the US fast food market in China. We also read a blog reviewing two Turkish restaurants, a reading on globalization’s impact on food preparation in Italy, and a magazine article on “tiny food” YouTube videos trending in Japan.
Additionally, students were introduced to the major writing assignment for the unit. The assignment placed students in a hypothetical rhetorical situation with a specific audience, purpose and genre. It maintained the food orientation of the unit, as illustrated here by an excerpt from the prompt:
You are a food columnist for a newsletter for international students. Each week, you try new foods and then use the column to make recommendations to your readers about foods they should or should not try. Your column helps international students learn about new foods that they might see in the United States.
Write a column in which you review a U.S. snack food that you have recently tried for the first time. This might be a product that you purchase at a grocery or convenience store or sample at the locations we visit for our class field trip.
This assignment requires hands-on research. As a food reviewer, you must actually sample the food you are reviewing and take detailed notes on your experience.
In class, we practiced the evaluating process that the assignment required. As a group, we made a list of characteristics that college students might value when selecting a snack food. Areas such as health, cost, accessibility, variety, flavor, and convenience were discussed. Students were then each assigned a snack cracker and asked to evaluate the cracker on each characteristic. Afterward, they shared their evaluations with the class. This experience alerted students to potential areas to consider when sampling WYSIWYG or Bluebird products, or other snack foods they might select for the assignment.
On a brisk January morning, our class bundled up and headed downtown for our back-to-back food lectures. We would first visit WYSIWYG Juice Company and then Bluebird Cakery. Students were prepared to take notes during each lecture and to sample products in preparation for the unit writing assignment.
Both lectures paralleled each other in content, beginning with a focus on the businesses’ entrepreneurial stories. The WYSIWYG owner described launching a health-focused business partnership after she and her co-owner both lost their young husbands to cancer. This experience motivated them to become proponents and providers of health within their community. The manager of Bluebird Cakery described the Kickstarter campaign that got Bluebird Cakery off the ground in Faribault, Minnesota. The success of that venture opened the door to expanding to Mankato.
Within each lecture, the food itself received special attention. The lectures focused on ingredients, sourcing, inspiration for menu items, and ideas for future products. At WYSIWYG, we were invited to the food preparation area, where we saw a giant juicer devouring vegetables.
At both sites, food sampling was a key component. At our first stop, students sampled juices made from beets, carrots, spinach, kale, green apple, cucumber, celery, and ginger; they then undermined this health boost at our next stop by sampling Australian-style cupcakes swirled with buttercream frosting, including customer-favorite Wedding Cake and sweet-and-savory Salted Caramel. The lecturers explained the influences, motivation behind, and popularity of these products. Meanwhile, students took lecture and product evaluation notes. Each student was also encouraged to pose one question to the lecturer at the conclusion of the presentations.
In the days following the visit, class time was used to learn about the structural features of an evaluation. Lecture content was integrated into these lessons to maximize the benefit of the out-of-class experience. For example, when we discussed how to write an introduction, content from the WYSIWYG Juice Company was used. The class applied this content to practice using a quotation or story as an opening.
To practice the quotation approach, students were supplied with the following quotations, excerpted from the owner’s lecture:
“I like to juice for the nutritional home run it gives me.”
“We like the opportunity to show our customers that healthy food can taste great and be filling.”
“Pesticides, insecticides, herbicides, and toxins—those take a toll on your health.”
“What we’re proud about is the freshness.”
“I just mowed the yard with my mouth.”
“There’s no better multi-vitamin than fruits and vegetables from the Earth.”
Students were then shown how to use a quotation to capture reader interest and introduce a topic. Finally, they selected a quotation from the list and practiced this introduction approach themselves.
To practice the story-telling approach, students crafted the WYSIWYG owner’s experience into an introduction. First, they were given a list of facts drawn from the WYSIWYG lecture to remind them of the story that the owner shared.
Possible Story Components
Business partners meeting each other
Both had husbands who were diagnosed with cancer before the age of 40, 10 years apart
Both used juicing to help with husband’s health
Both had 3 kids around same age
Began to have conversations around health
Both owners’ husbands lived longer than expected—6.5 years and 3.5 years. The latter was projected to live 2.5 months when first diagnosed.
This experience led them to start a juice bar
Students then practiced retelling the owners’ story as an introduction for a WYSIWG review. To show students the variety of introduction approaches that could be used when writing about the same topic, the class also practiced using questions, personal stories, and current issues or controversies as a beginning for a WYSIWYG Juice Company review. I gathered examples of each approach from student work and posted them on our course management system to supply students with a side-by-side comparison.
In general, then, I tried to coordinate out-of-class content with in-class activities. I aligned the focus of out-of-class lectures with unit themes. I also created lessons that utilized field trip content, and I provided opportunities for students to use this content in their writing. In this way, I tried to make the experience cohere with and support other language learning instruction occurring in the classroom.
To what extent did this community excursion achieve its goals, particularly with respect to acculturation, authentic language use, and brain-friendly learning? Reflecting on this question has allowed me to identify successes and recognize changes I would make when undertaking similar projects in the future.
On its own, a project like this one is unlikely to have a profound impact on students’ acculturation. Rather, class trips function as one of many small inputs that collectively support students’ complex and ongoing acculturative process. Like other experiences that support acculturation, this trip involved elements of challenge. The idea of leaving the classroom and venturing into the community appeared to evoke modest trepidation in some students. Students were noticeably quiet while visiting both locations and hesitant to pose questions following the lectures. This response reminds me to anticipate feelings of uncertainty in response to out-of-class excursions and to acknowledge and validate these emotions. To alleviate these feelings in the future, I would spend more class time outlining the protocol for the visit, including assisting students in drafting good post-lecture questions. During the visit, I would then facilitate Q&A, assisting students in asserting themselves rather than relying on them to have the confidence to do so. Steps like these may diminish some of the nervousness surrounding the acculturative experience.
I was pleased with the authentic language that the lectures provided to students. However, I quickly realized that exposure to authentic language is not enough: students need help making this language their own. Perhaps the most successful strategy I used to promote students’ use of authentic language was copying lecture content and integrating it into lesson plans. My decision to incorporate content from the WYSIWYG lecture into writing lessons, for instance, was likely the factor that led over half of the students in the course to write WYSIWYG Juice Company reviews while none chose to write about Bluebird Cakery. The takeaway for me is that exposure to authentic language needs to be supplemented with instructional support that makes the language accessible and malleable to students.
Without a doubt the class trip was characterized by instructional novelty and engagement of multiple senses. These traits made the trip memorable and engaging. Still, just as with authentic language use, the novelty and sensory input only benefited learning insofar as it was paired with meaningful, in-class instruction that built on the vivid out-of-class content. In general, then, I learned that unique out-of-class activities usefully sparks interest and attention while complementary in-class instruction harnesses that attentiveness to promote engaged language learning.
Overall, venturing outside the classroom was a pleasure to design and a positive experience. That’s not to say that it was easy. On that note, I conclude with a list of considerations that may help other language teachers take the leap.
Expense: Will there be any expenses associated with the experience? What offices on campus or professional grants might be able to supply the funds?
Permissions: Is clearance needed in advance? For example, does the university require students to sign a liability waiver? Is permission needed from the international student programs office on campus?
Travel: How will students get to the site? What transportation options are available?
Community Partners: Who might be involved? How might members of the community contribute to students’ language learning?
Time: When will the experience take place? What planning is needed to ensure that students can attend?
Curriculum: How will the experience fit within the broader curriculum? What connections can be drawn to course material? How can additional learning be derived from the experience once students are back in the classroom?
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